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Li Feng—born in 1969 in Jilin, China, residing and working in Henan, China—is a contemporary painter and poet best known for his striking works on canvas, working in acryl, oil, color powder, and mixed media techniques, often implementing collage in his painterly practice. Li Feng is occupied with the everyday, language, and the poetic ironies of life.
Read Online [PDF]
Li Feng pieces together glimpses and ambiguous cross-sections of reality, using a visually complex and multi-layered language that invokes both truth and illusion to delve deep into forbidden territory. In Li Feng’s dying moments and within restricted settings, opposing forces engage in a dangerous and mysterious negotiation. For tempting objects, he uses stern compositions in an attempt to suppress the information that incites desire, delaying the pleasure of recognition and exploring paths of divergence.
Read Online [PDF]
I enjoyed getting to know your one painting in the John Moores Painting Prize shortlisted exhibition. I liked it more in the TAG museum than in Powerlong. I like the painting’s beauty, which I would locate in its strangeness. It’s very much a product of the mind / emotions rather than a representation of the material world. A strong painting.
Read Online [PDF]
Li Feng—born in 1969 in Jilin, China, residing and working in Henan, China—is a contemporary painter and poet best known for his striking works on canvas, working in acryl, oil, color powder, and mixed media techniques, often implementing collage in his painterly practice. Li Feng is occupied with the everyday, language, and the poetic ironies of life.
Read Online [PDF]
Li Feng pieces together glimpses and ambiguous cross-sections of reality, using a visually complex and multi-layered language that invokes both truth and illusion to delve deep into forbidden territory. In Li Feng’s dying moments and within restricted settings, opposing forces engage in a dangerous and mysterious negotiation. For tempting objects, he uses stern compositions in an attempt to suppress the information that incites desire, delaying the pleasure of recognition and exploring paths of divergence.
Read Online [PDF]
I enjoyed getting to know your one painting in the John Moores Painting Prize shortlisted exhibition. I liked it more in the TAG museum than in Powerlong. I like the painting’s beauty, which I would locate in its strangeness. It’s very much a product of the mind / emotions rather than a representation of the material world. A strong painting.
Read Online [PDF]
Li Feng—born in 1969 in Jilin, China, residing and working in Henan, China—is a contemporary painter and poet best known for his striking works on canvas, working in acryl, oil, color powder, and mixed media techniques, often implementing collage in his painterly practice. Li Feng is occupied with the everyday, language, and the poetic ironies of life.
Read Online [PDF]
Li Feng pieces together glimpses and ambiguous cross-sections of reality, using a visually complex and multi-layered language that invokes both truth and illusion to delve deep into forbidden territory. In Li Feng’s dying moments and within restricted settings, opposing forces engage in a dangerous and mysterious negotiation. For tempting objects, he uses stern compositions in an attempt to suppress the information that incites desire, delaying the pleasure of recognition and exploring paths of divergence.
Read Online [PDF]
I enjoyed getting to know your one painting in the John Moores Painting Prize shortlisted exhibition. I liked it more in the TAG museum than in Powerlong. I like the painting’s beauty, which I would locate in its strangeness. It’s very much a product of the mind / emotions rather than a representation of the material world. A strong painting.
Read Online [PDF]
Li Feng—born in 1969 in Jilin, China, residing and working in Henan, China—is a contemporary painter and poet best known for his striking works on canvas, working in acryl, oil, color powder, and mixed media techniques, often implementing collage in his painterly practice. Li Feng is occupied with the everyday, language, and the poetic ironies of life.
Read Online [PDF]
Li Feng pieces together glimpses and ambiguous cross-sections of reality, using a visually complex and multi-layered language that invokes both truth and illusion to delve deep into forbidden territory. In Li Feng’s dying moments and within restricted settings, opposing forces engage in a dangerous and mysterious negotiation. For tempting objects, he uses stern compositions in an attempt to suppress the information that incites desire, delaying the pleasure of recognition and exploring paths of divergence.
Read Online [PDF]
I enjoyed getting to know your one painting in the John Moores Painting Prize shortlisted exhibition. I liked it more in the TAG museum than in Powerlong. I like the painting’s beauty, which I would locate in its strangeness. It’s very much a product of the mind / emotions rather than a representation of the material world. A strong painting.
Read Online [PDF]
Li Feng—born in 1969 in Jilin, China, residing and working in Henan, China—is a contemporary painter and poet best known for his striking works on canvas, working in acryl, oil, color powder, and mixed media techniques, often implementing collage in his painterly practice. Li Feng is occupied with the everyday, language, and the poetic ironies of life.
Read Online [PDF]
Li Feng pieces together glimpses and ambiguous cross-sections of reality, using a visually complex and multi-layered language that invokes both truth and illusion to delve deep into forbidden territory. In Li Feng’s dying moments and within restricted settings, opposing forces engage in a dangerous and mysterious negotiation. For tempting objects, he uses stern compositions in an attempt to suppress the information that incites desire, delaying the pleasure of recognition and exploring paths of divergence.
Read Online [PDF]
I enjoyed getting to know your one painting in the John Moores Painting Prize shortlisted exhibition. I liked it more in the TAG museum than in Powerlong. I like the painting’s beauty, which I would locate in its strangeness. It’s very much a product of the mind / emotions rather than a representation of the material world. A strong painting.
Read Online [PDF]
Li Feng pieces together the elusive sections of reality, delving deep into forbidden areas through the use of visual language codes that manipulate reality and illusion with layers of expression. In the liminal “time difference” and constrained environments, Li Feng’s art evokes a dangerous and mysterious interaction between opposing forces. He uses austere compositions to suppress the provocative elements that stimulate desire, thus delaying the pleasure of cognition, exploring the trajectory of prolonging the unknown.
Read Online [PDF]
“The Anxiety of Identity” is the latest series of works by Li Feng. Without a doubt, although the medium of the work continues the previous experimental approach, this series of works is filled with the powerful atmosphere of the information age – various sign codes densely covering the screen.
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The “Asayama Group”, born in Shangqiu, China in 2018, is an art collective composed of the following main members: Li Feng (mentor), Zhai Zhicheng, Zhang Shuo, Li Hanran, and Shi Jian.
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Success is full of temptation, and failure is also attractive. Post-modern cultural producers are willing to believe that this is a failed era, with nothing worth pursuing or believing in, only emptiness is real, and disillusionment is unchanging. Many artists are keen to depict the process of faith collapse and scenes of spiritual ruins. In this respect, Li Feng is not trendy. In his series of creations, we see more of a declaration that art cannot save the world, but it can make the world look more worth saving. Through poetic dwelling, the construction of personal space order, and the exploration of poetry and painting language, he has constructed an artistic domain that is both personalized and universally meaningful.
Read Online [PDF]
The “Asayama Group”, born in Shangqiu, China in 2018, is an art collective composed of the following main members: Li Feng (mentor), Zhai Zhicheng, Zhang Shuo, Li Hanran, and Shi Jian.
Read Online [PDF]
Success is full of temptation, and failure is also attractive. Post-modern cultural producers are willing to believe that this is a failed era, with nothing worth pursuing or believing in, only emptiness is real, and disillusionment is unchanging. Many artists are keen to depict the process of faith collapse and scenes of spiritual ruins. In this respect, Li Feng is not trendy. In his series of creations, we see more of a declaration that art cannot save the world, but it can make the world look more worth saving. Through poetic dwelling, the construction of personal space order, and the exploration of poetry and painting language, he has constructed an artistic domain that is both personalized and universally meaningful.
Read Online [PDF]
If one were to describe contemporary art as a whole, what is beginning to falter is not the art itself, but rather the spirit of the artist. In a sense, art exists as something that can be understood, while also possessing an aesthetic ideological attribute. It is a fictional activity with spiritual significance. Its fundamental quality lies in revealing the enormous contradictions and tensions between people and the world, and thus bringing the themes of reflection on people and the world to a deeper level.
Read Online [PDF]